The Great Romantic Cinema

Movies of passionate love relationships between men and women usually have held a unique put in place our cultural heritage. Movies about great love affairs have already been produced from the classic stories of Lancelot and Guinevere, Heloise and Abelard, and Romeo and Juliet. These classics are remembered as symbols of physical passion and spiritual devotion. Whilst they are most often deemed love stories, the literary foundation of these stories is that of tragedies – and tragedies of your most telling kind.

In these stories, the heroes and heroines are remembered not as they are average individuals their societies, but because they rebel against society. The lovers are most memorable because they’re unusual, different from what we should might imagine needs to be the correct, or proper type of behavior for folks their society. Their love affairs challenge the two moral and social codes with their culture, along with their stories are inevitably tragic as their passion alone ceases to sustain them. They may be eventually defeated by the social and cultural norms of their time. The actual theme with the tragic nature of these fascinating love stories and their commitment to the other person is a defiant response, a rebellion as it were, to anyone and everybody. The contest between culturally accepted behavior and also the passionate commitment involving the lovers begins when each understand that their love isn’t thought to be a normal life-style or perhaps acceptable cultural ideal.

Thus, the best of romantic love always stands in opposition to high of background and is usually the subject of great novels and movies. In our popular theatre, the characters and themes may change and challenge our sensibility, but the tragedy remains. Movies such as Brokeback Mountain challenges our view of the price of gay men in what has been presumed to be a stereo-typical masculine role. Even though the masculine roles in cases like this might be exchanged with another, say for example a soldier, lineman, longshoreman, whatever.

The thing is that movies about romantic love today portray it as being something which doesn’t exist exclusively between men and women. Movies recognize and indeed, celebrate the individualism with the characters, using strengths and weaknesses. They reject the guidelines of individuals as bland, mindless creatures without vision or spiritual aspirations. They place in the forefront of our consciousness the perfect that romantic love is egoistic – a philosophical doctrine that holds that self-realization and private happiness will be the moral goals of life. Romantic love is inherently egoistic for the reason that it really is motivated through the overwhelming desire to have personal happiness.

Romantic love has been thought as a passionate, spiritual-emotional-sexual attachment from the man as well as a woman that reflects a high regard to the price of one another’s person (Brandon, 1980). Together with the awakening and liberation of gay rights nowadays, that definition is clearly flawed. It could be right to redefine this aptly as being a passionate, spiritual-emotional-sexual attachment between two humans with equal regard to the valuation on the other. However romantic love is scheduled, tragedy continues to be a relentless reminder in the perpetual clash between society and lovers, of the sexual orientation.

In the long run, however, the fervour that inspires the souls of lovers exists exclusively within themselves along with the private spiritual universe they occupy. True romantic lovers share their private universe together exclusive of those that would destroy them because of their belief in an archaic construct of cultural norms. Romantic lovers don’t share their treasure with all the outside world, although far too some of the rest of the world tries to pry apart their relationship in order to meet their very own self-serving egoism.

Romantic lover from the movies as well as in real life exhibit a special and remarkable courage to honor and respect the other for whom they may be. This form of courage is often a prerequisite for true romantic love and the items that the most memorable movies are constructed of.

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About the Author: Annette Nardecchia

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